Review #512: God Hand

Blistered hand.

The cover.... eugh.

 You've heard of God Hand, one of the toughest games out there. That's... a bit of a lie. I'm here to tell you about God Hand, one of the best beat'em ups out there and one that's challenging, but not impossibly hard.

 The story is absolutely ridiculous and makes little sense, but what you need to know is that the story follows Gene and Olivia, Gene is a bit indebted to Olivia since she gave him the God Hand, an arm with awesome power. Gene doesn't care much about other people, but Olivia does, so she kinda forces him to help out. As it turns out, there's an interested party in the God Hand, and they'll stop at nothing to get it. You don't play the game for its plot, but for how ridiculous everything is. It's got a very weird, ridiculous and Suda 51-esque sense of humor, so if you're into that, the game delivers in spades. The art direction is pretty badass too, taking more than a few pages from Hokuto no Ken's book, so not only does Gene look cool... the enemies look fantastic too. It's also set in a pseudo wasteland, so even the environments are varied and appealing.

Context-sensitive special moves are... weird, to say the least.

 The game is a very linear beat'em up game, so you go from stage to stage, spanking butts and taking names. The first thing that will throw you off is that the game has a third person-shooter camera, with tank controls and you've no control over the camera. It's almost like playing Resident Evil 4, only that you've only got a knife. It sounds clunky, it IS clunky and a bit stiff, but you can get used to it, and the claustrophobic camera angle helps make your blows seem harder and heavier, which is always cool in my book. That said, there's definitely a learning curve before you get comfy with it, but if you aid yourself with the enemy radar on the top on the screen you'll be able to keep tabs on what's around you... even if you can't look at it.

 Square is your basic combo string, triangle and X perform different attacks, plus, back plus any of the three attack buttons produce even more attacks. That sounds neat, but every single move in Gene's arsenal can be changed. Don't like your vanilla 4-punch button? Buy some kick moves and add some juggles. Think you can do without a guard break attack? You'd be nuts to, but you can do it if you want. But you shouldn't, seriously, breaking an enemy's guard makes your next attacks do more damage. Take a guard break move, trust me. The circle button is a context-sensitive button, it can be used to pick up weapons or boxes, stomp on enemies or perform powerful special moves when they are dizzy. R2 is used to unleash the God Hand, when the gauge is full, which makes you invulnerable and makes your moves unblockable for a short while. Lastly, R1 is used to perform stock-consuming super moves. Gene can't block attacks, but you can use the right analog stick to dodge in four different directions.... and you'll have to.

The game doesn't shy away from being ridiculous... and it's all the better for it.

 The combat is very satisfying, but it does have a few shortcomings. There're a couple of enemies that can take way too much punishment before they go down, so a few fights with normal enemies can drag for a bit longer than they should. One of the most important things you'll have to learn in the game is to divide and spread out your enemies so that you can comfortably take them down without getting suckerpunched, but it can be a bit of a pain when you've these damage sponges coming back for more over and over again. Another annoyance is how much mashing this game requires, your powerful context-sensitive circle special moves always requires you to punch that circle button like there's no tomorrow... and you'll have to do this a lot if you want to maximize your damage potential.

 The game's most notorious feature is its dynamic difficulty: the longer you go defeating enemies without taking damage, the harder the game will get, with enemies getting stronger and more attacks, but, if you get hurt the difficulty will go down. Why would you want to keep the difficulty high? More and better rewards. Money is very important in the game, to buy health and God Hand gauge upgrades and to buy new moves, since your attacks grow obsolete pretty fast, and the more enemies you defeat on higher difficulties the more money you'll earn at the end of the stage. The game has a new game plus feature, but sadly none of your purchases are kept, which is a huge bummer since more freedom to experiment with combo set-ups would've been very welcome. At least you get bonus costumes!

Weapons break fast, but they can be quite useful at times.

 The game is not all that much harder than, say, Devil May Cry. There're plenty of checkpoints, and restarting from one refills your entire health bar and lowers the difficulty, so even if you get surprised by Demons, super tough enemies that randomly spawn when you defeat enemies, you won't be set back too much. And even without that, the game gives you a ton of advantages to make your life easier, the God Hand makes you invulnerable for a short while so that you can thin out the enemy lines and the God Reel attacks are very powerful. And for how useful the God Hand is, the gauge refills surprisingly fast, so even if you get to a boss without the gauge full you'll be filling it in no time. No, God Hand is not an easy game... but it's nowhere near as hard as people will tell you it is, so don't be afraid to approach it.

 God Hand is a fantastic little game that remains a bit obscure due to erroneous claims about its difficulty. It's incredibly fun thanks to its mixture of satisfying combat and hilarious characters that keeps tedium from setting in. Now, if you'll excuse me, I've more butts to spank.
 9.0 out of 10

Now Playing: God Hand

 Blister hand after I'm done punchin' all these buttons!

The cover does the game no justice.

 First I took to Rome with Gladiator... then I took to Greece, with God o' War, then back to Rome with Shadow of Rome and then back to Greece with Rise of the Argonauts, but now... I'm back with the gods, with God Hand. And that sentence made little to no sense, but I'm trying so hard to be funny right now.

 So I finished the first stage, turned on the console and was about to write this... but the game is SO good that I turned it on and just finished the triple boss on stage II. The game is tough, yes, but it's also a blast. The bit about customizing Gene's moveset is kinda neat, but it's too much of a hassle, so I'm going with what works and what's simple: PUNCHES GALORE, BABY.

 My one complaint is that I feel like some enemies have a bit too much HP, but maybe I'm supposed to use the Godhand more often? I like saving it for surprise demons and bosses, but maybe I'm underestimating just how fast I can fill the gauge? I dunno. Regardless, the game is a blast.

Review #511: Rise of the Argonauts

 The world needed yet another retelling of the Argonauts story.

They could've had better covers...

 Welcome to Rise of the Argonauts, yet another retelling of Jason's myth. This is a very weird, yet oddly entertaining, beat'em up/RPG hybrid that works quite well even if it doesn't do anything too spectacular.

 The moment the game starts is the moment the story begins deviating from the most important, and most consistent, plot device: Jason is about to get married to newcomer Alceme, descended from Ares, before she is murdered by the Blacktongue clan, and it is the gods, Ares, Hermes, Apollo and Athena, who tell him that in order to revive his love he must recover the Golden Fleece. And thus, Jason and his best friend Hercules embark the Argo, and soon he'll be recruiting people, the Argonauts, to join him in his journey. As you'd know there's varying records of who were the Argonauts, but this game, man, this game wanted to have anyone you'd recognize. Hercules? In most versions that include him only have him for a short while, here he stays with Jason all the way through. Medea? Of course. Achiles? You're pushing it, considering it was his father that boarded the Argo. Medusa? Why not! Suffice to say, they added a few characters just because they were recognizable... not that that's necessarily a bad thing. As for the story itself... it's pretty interesting, dialogue goes from cheesy to badass at a moment's notice, but on the whole, it's alright. Many times you'll be allowed to pick different choices(Up to four!), but most of the time the outcome is the same. And when it's not, it's merely a different cutscene. Some characters definitely get more exposure and development than others though, but the important Argonauts get to showcase their personality if you bring them along with you, so there's that.

It's bloody, yet somehow not gratifying.

 The game is structured like a RPG, albeit a very linear one. There're four major islands you'll visit, but a total of six(sevenish...) areas total that you'll visit. The first Island is Iolcus, where you start the journey, and afterwards you can tackle the next three island in whichever order you prefer. I recommend going after the Ares descendant first, since that island nets you Achilles, and you'll want that prick in your party to offer his... insight. Anyways, each of this Islands is only visited once(Kindaish) and each has its own set of sidequests, so you'll want to finish everything before you finish each island's main quest. A tiny little gripe with the game is that you can only check your objective log by going into the Map screen... which isn't tied to a button, which was a bit shortsighted of them since Select has no use, and requires going into the pause menu. Another bad idea was the fact that the battle HUD, which means your health bar, is turned off by default, but it only takes a trip to the options screen to fix it.

 Conversations with options usually involve four different 'personalities', you can answer in a courageous manner(Ares), a just one(Athena), a playful/witty one(Hermes) or a more serious one(Apollo). As you probably inferred from the parenthesis, each answer type favors a god which in turns grants you bonus experience points with that god. Actually, there aren't experience points in the game. At all. Instead, you accumulate deeds. These can be earned by completing sidequests, defeating X amount of enemies, defeating X amount of enemies with Y weapon, selecting X amount of a certain god's answer, etc and then you trade these deeds for experience points on any of the four gods. Each god has their own skill tree: Ares favors the mace and power, Apollo favors the shield and protecting your allies and making Jason more sturdy, Hermes favors the sword and making Jason more agile while Athena favors the spear and making your allies stronger. You can probably earn enough experience points to at least max two trees, but you can build Jason at your leisure, give him a little bit of everything if you so please.

Did I mention that every piece of equipment has its own look?

 There's also no money involved in the game. No money and no experience points... why would you want to do sidequests? Well, besides the possibility to score answers of a specific god, there's also the option of obtaining new equipment. Every armor, sword, spear and mace has a unique look to it as well as a different passive ability. You can bring a sword that's stronger than the others, or one that deals more damage if you attack an enemy's back... or maybe one that deals damage to enemies even if they block. The game is easy enough so that you can bring any equipment set that you like, so just wear what looks cool. Or wield weapons that compliment each other. Or focus on making Jason good at one thing and one thing only. It's up to you, anything will work. As for me, I loved the fact that everything looked different, in an era where costumes are a privilege and not a treat... it's great getting to equip Jason with so many different, cool looking armors.

 Combat is... janky, to say the least. There's a weak attack, a strong attack, a shield bash, blocking, dodging and using god spells. You can switch weapons at any time by pressing R1 and L1, but... sometimes the game won't let you switch just because. Sometimes the collision between attacks won't feel quite right. Nothing feels quite right when fighting. However, nothing is quite broken. Combat is a clunky, but passable, barebones element to the game. There's no fancy combos to be made, no skillful dodging and blocking required, there's no substance and no style... but it's not broken. Compared to the walking and talking you'll be doing, the combat is but just another small piece of a bigger system, so there's not so much combat as to overstay its welcome.

Hercules is a total beefcake... literally.

 And lastly... the game runs like butt. Graphics are ugly, animations are stiff and there's a noticeable lack of... well, attention to detail. Walking up or down stairs looks... janky to say the least. And the framerate? The framerate is horrible, at times it struggles to maintain 30 FPS. On the other hand, the art direction seemed great, but the in-game graphics doesn't do it justice.

 It's got a dialogue wheel... with no real consequences. It's got a lot of combat... that's very shallow and somewhat clunky. It has a decent art direction... but poor graphics. Rise of the Argonauts is a great example of a jack of all trades, master of none. It does a lot of things, some better than others, but it doesn't have any real strong points to its name. That said, it's also better than the sum of its parts, because as clear as it is that the game is a bit clunky... it's can be quite fun at times. You can tell that a lot of love was put into the game, the story is interesting, the characters are interesting and while there're next to no consequences to your choices.... you can tell that they had fun coming up with different alternatives for Jason to speak. The people involved wanted to make a great game, that much is clear, but while the end result isn't fantastic... it's still a remarkably fun time as long as you temper your expectations.
 7.5 out of 10

Now Playing: Rise of the Argonauts

 And now, we travel from Ancient Rome towards Ancient Greece...

Both NA and PAL covers are equally bad, but I got my hands on the European version.

 Upon first booting up the game you're treated to a wonky framerate adoring an assault on your Palace. But you defeat them and then... discover that the game feels wonky as a whole, just try to go down stairs and watch Jason hop as he goes downwards. Oh, and just try to get out of the Palace, which is no easy task, who designed that thing!? And then I kept playing and I noticed that I had no health bar. Maybe the screen would turn grey as I lost health? Dunno, I was taking damage but nothing was happening. And then, after finishing the Challenge of Ares I went into options and.. the Battle HUD is off by default, who knows why, turns out there actually is a healthbar, even if it took me two hours to figure it out. Well, I hopped on to Argo ready to set sail for the Cave of the Oracles.

 Rise of the Argonauts is alright. It looks mediocre, the framerate sucks buuut the combat is relatively fun. Engaging in conversation with other NPCs is made worth it thanks to the possibility to earn Aspect points or even new equipment pieces. Despite how hard the game tried to turn me off with its lackluster presentation... the game is quite fun. That said, I've played about 2 hours and the combat is already getting a bit dull, so hopefully it picks up once I set foot on a new location.

Review #510: Shadow of Rome

 Without a shadow of a doubt... one of Capcom's most ambitious offerings.

Art direction in the game is phenomenal.

 Capcom has made many appeals to the Western crowd, and Shadow of Rome was, if I'm not mistaken, their first attempt. Sadly, it ended in failure, which is a bit surprising considering how good the game is.

 The game follows two friends, Octavianus and Agrippa, as they suffer through the events of Caesar's murder. Agrippa's father is accused of the murder, his mother is executed and now Agrippa is a wanted man... not that that stops him from becoming a Gladiator, for a chance to save his father. Meanwhile, Octavianus, as Caesar's family and Agrippa's friend, knows that there's more to the murder than meets the eye, and sets out to investigate the parliament and the senate on his own. The story is interesting, and having the two viewpoints makes it even more so. THe game employs a fantastic artstyle: Character designs for important NPCs are very Hokuto no Ken-esque, which means that they look badass, and the game employs an almost cell-shaded filter that makes characters pop from the background, which is surprisingly appealing. On the flip side, characters have very... weird and offputting facial expressions, take Claudia, whenever she is supposed to smile... it turns into a weird facsimile of a smirk that makes you think she's always plotting something. But she isn't. Voice acting is passable, and sometimes it goes into the melodramatic which is can get you a bit out of the experience

.'Disarmed', I see what they did there. Puny.

 Octavianus' stages consist of stealth missions. You often have to infiltrate buildings that are swarming with guards or politicians, and most of the time, being caught means being sent back to the last checkpoint, albeit sometimes it's possible to escape the guards. There's a lot of interesting things you can do as Octavianus, knocking someone down, with a rope or a jug, means you can take the clothes. But since Octavianus has a very small frame, and thus not very convincing as anything other than a maid, you may sometimes be stopped and asked questions, get the wrong answer and they'll discover you. You can also grab and throw certain objects, like rats or stones, or whistle in order to distract people. There's a very interesting mechanic in which you can walk with your hands behind your back to conceal tools. Octavianus can also come across silver and gold coins in his stages, which can then be spent at the city gates in order to decorate your room. It's utterly pointless, but it's still fun to add objects, and as you buy stuff you also get a few extra haircuts for Octavianus.

 But as Octavianus investigates, Agrippa must fight in gladiatorial events. Objectives vary: Destroy all of the opposing team's statues, defeat every enemy, accumulate a certain amount of salvo(basically, cheers), survive, chariot races or simply defeat a boss. Agrippa can pick up various different weapons: One handed swords, clubs, shields or dual handed spears, halberds and greatswords. And you'll be switching weapons constantly since they break. Enemies have access to the very same weapons, and these can be knocked off your hands or you can pry them away from your enemies, if you are unarmed... or you can un-arm your enemies, literally, some of the bigger weapons can maim enemies and thus reduce their offensive capabilities. The more varied your style is the better, as you'll be awarded salvo. For instance, cutting an enemy in half gives you the 'Red volcano' salvo worth... 2000 salvo, but if you use it again in the same event you'll be awarded less. Salvo has a bigger function in matches than that of deciding what rank you get when clearing the mission, or being the objective of the event itself, and that's to get the attention of the crowd. The higher the salvo gauge is, the better rewards you'll get from the crowd, which can be anything from massive weapons to health-restoring food.

The Gladiatorial part of the game is easily the best one.

 One thing to keep in mind when approaching this game is... that it's rather hard. Octavianus' stages can be cleared with enough ingenuity and patience... or maybe a FAQ, but you'll need skill and luck in Agrippa's stages. Inevitably there will be events that you'll like more than others, but you'll have to go through those that you don't like anyways. It would've been a good idea to let you pick in which events you wanted to compete, but I digress. Battle Royales are simple enough, and with enough luck the crowd will feed you enough food to keep you healthy, but events such as amassing Salvo can be tough since you'll need to vary your tactics as much as you can, while also looking out for your health while under a time limit or an enemy amount limit. I particularly disliked the events that had you breaking statues, since running out of weapons meant having a hard time dealing with enemy assault as you try to smash their statutes. There're plenty of cheats and a few other modes, like survival, that you can unlock... provided you can rank high in gladiatorial events under the hardest difficulty setting. Good luck!

 Shadow of Rome is a brilliant but flawed game. The gladiatorial events' difficulty can sometimes veer into the unfair, and the stealth sections can get a bit long in the tooth if what you want to do is bash skulls but you can't figure out how to evade the guards. That said, the game reeks of high production values, and the challenge can probably be tracked to a misguided attempt as appealing to the West. The game is definitely worth a look.
8.0 out of 10

Now Playing: Shadow of Rome

 Is the game using cel shaded graphics?!

 I just love Capcom's logo on PS2 games.

 It's been buggin' me for a while now, but characters are cel shaded. right? It's very slight, but I'm preeeeeeeeeettty sure it's using cel shading. I think. 90% sure.

 Aesthetics aside, I've played about 30 minutes, defeated Barca(the first boss) and... I'm impressed. It's fun! It's really flippin' hard, but it's fun. I mean, I was low on life by the time I finished the introductory gladiator event, and I had to retry the Barca fight since he defeated me on my first try.... This is gonna be a tough one. But that's alright, the gameplay is pretty good. Agrippa's movement feels a bit stiff, he is no Kratos or Dante, so combat can be tough. But I think it's worth it.

 Yeah, it's looking like a fun one. But I need to know if my mind is playing tricks on me or if it really is using cel shading!

Archile's End of the Year Awards 2017 Part II

 The fight will be finished once again in 2017...!

 Without further ado...



Worst Game of 2017:
 Tons of bad games this year, probably a consequence of playing so many licensed games.

5)

 I've loved beat'em up games ever since I first played Battletoads & Double Dragon, and you'd think it'd be hard to mess up such a simple formula, but throughout the years I've learnt that... it's so simple that it's very easy to screw up. Cue in Hidden Invasion, horrible camera, tons of bugs, unfair odds and terrible gameplay. There's a reason this game is dirt cheap now.

3)

 I've never played such a glitchy game before. I've been gaming ever since I could remember, and no other game I've played has had this many glitches, not even Ride to Hell. Every single time I turned on the game I'd come across a new one. Still, if I'm to be honest here, the game could be fun at times. AT TIMES. Despite all the nonsense, like how horrid the exploration is, it could be a bit entertaining. Sometimes. Maybe because I love the Metroidvania genre.

3)

 Ultimate Spider-man on the DS was a horrible, but good looking game. Battle for New York runs on the same engine and, somehow, it's even worse. Poor collision detection, horrible level designs, tacked on stylus mini-games, boring bosses and dumb time limits make for a bad, bad game. It's like a culmination and compilation of everything wrong in Spider-man games.

Runner-up)

 Some people defend this 'game' with the fact that by the time it came outside Japan it was a 6 year old game. The original, clunky, Tekken was released in 1995. Final Bout was released in 1997. There's absolutely no reason as to why this game had to be so bad. I think the Dragon Ball SNES fighting games were pretty bland too, but Final Bout is even worse. Unresponsive controls, horrible game mechanics that slow down everything and an overabundance of versions of Goku... this game is trash. Expensive trash.

Loser)

 There's a lot of ways I could describe Corpse Party Blood Drive. Boring, the story is bland and uninteresting, with horrible dialogue and a very high barrier of entry if you haven't played other games. Bland, because the entire game is spent exploring the same areas over and over again. Badly designed, because when you are supposed to tread old ground every new chapter to see if something has changed, because sometimes you are supposed to go back someplace else because something you did triggered something in a room you've already been to. Broken, because the game runs like crap on the Vita, with numerous loading screens and terrible framerate.



Best Handheld Game of 2017:
 I didn't play many new games on handheld consoles. Monster Hunter 3 kinda sapped all my time all by itself, and truth be told, I'm still playing it to this day. There's so much stuff left to do and the Dios Gem won't drop so I can't upgrade my weapons!

5)

 Ah! Speaking of the guilty party, Monster Hunter 3 Ultimate is really good... but waiting and hoping for stuff to drop can be a bit of a pain at times! I've already spent over 90 hours on this game, with no end on sight. I have discovered that I much prefer the clones that came after it, Toukiden and God Eater, but Monster Hunter is still pretty good, just wish that it would make the drop rates more lenient.

4)

 Looks are not everything. When I first turned on the game I was greeted with more mazelike levels and found out that they ditched the beautiful 2D sprites they've been using for wonky digitalized sprites. But it turns out that level design was pretty good, and they only used a timer for a specific few missions and... they finally gave us a compass. Basically, they finally figured out how to do a Spider-man game on a handheld... which they quickly forgot once it was time to release a new Spider-man game on the DS.

3)

 I feel like Reckoning was the true Dead to Rights II, in no small part due to how it reuses a tons of assets from that game to deliver a much more fun experience. I know I harped on and on about how it's the melee system that makes Dead to Rights stand out from the rest, but... melee is a bit useless in this game. Not that it matters, they went for pure arcade shooting action, and it works, and it's a blast. Not a thinking man's game, but not everything needs to have puzzles or a gripping storyline, sometimes, you only need very solid and fun mechanics to pull the game forward.

Runner-up)

 Hardly an enhancement, but it feels good having this game in the palms of your hands. Every level is here, as well as a new world... if you're willing to put in the time to unlock it. That said, I don't think a new world, that is a bit of a time sink to unlock, is enough to call this the 'definitive version' of Donkey Kong Returns... Not that it matters, since the base game is fantastic, whether you suffer imprecise motion controls for attacks or unresponsive button controls for attacks. Just pick your poison and have a go at one of the best Donkey Kong games ever made.

Winner)

 There're a lot of things I don't agree with when it comes to Shin Megami Tensei IV's design, but, despite my concerns I can still tell that it's a great JRPG. The first 10 or so hours of the game can be unfairly challenging to the point of frustration, but after you get through the hump the game will become fairer. The story was alright, there was a brilliant twist early in the game, but it's nothing to write home about, and it's got nothing on previous Shin Megami Tensei titles. It's the tried and true modern SMT gameplay that make the game so much fun, the amount of strategy required if you want to win fights is what makes this game, and the series, so engaging.



Best Playstation Game of 2017:
 I wish I had played more Playstation 1 games this year, more games that weren't fighting games that is! I've a bunch of fun stuff waiting for me in 2018 though!

5)

 It doesn't have the best rap nowadays, but I played Koudelka and loved it to hell. The setting, a creepy mansion, is a fantastic and original setting for a JRPG, and the cast of mature characters really make this one something different, and special, from its brethren. You haven't played a JRPG like this before, since even Shadow Hearts is different, and while reviews prove that this game is not for everyone... I think it's worth giving it a look, if just for curiosity's sake.

4)

 The charming pint-sized Samurai was the protagonist of a fun little romp that reminded me a lot of Goemon on the N64. It's great little game rife with exploration, all of it that rewards the player with various different perks and boosts. I have to give props to how well it manages to make you feel stronger as you earn new combos, better swords, more spells and more abilities to explore the world with.

3)

 Dragon Ball Z Legends is something unique, there's no other game quite like it. And it's a bit surprising, because the game is so weird, and it sounds so weird if you try to explain it, yet works s well once you get to play it. Few games have managed to emulate the show so well.

Runner-up)

 The short-lived Bushido Blade series is something that you can't find anywhere else. There are similar games in concept, like Nidhogg, but none have the scope and style Bushido Blade has. But one of the things that makes it so special is the fact that both Bushido Blade 1 and Bushido Blade 2 offer different takes on the same idea. You want something more technical, more methodical and with more variables? Bushido Blade 1 is your game. Would you rather have something faster, with more emphasis on blade on blade combat? Bushido Blade 2 is your game.

Winner)

 The game is really expensive, but.... it's worth every penny. Every thing you've heard about this game is true, it's that good. I wouldn't go as far as to call it the best JRPG on the system, but it definitely cracks Top 5. The gameplay is simple, but fun and the story is something mature, political and interesting that deals with war and how it tears down cities, people and... friendships.



Best Playstation 2 Game of 2017:
 If I focused on one console this year, and not on purpose mind you, it was the PS2. I've been catching up with dozens of games I hadn't played before, games I had played before and games that I had only tried when I was younger but never got through to the end.

5)

 It was my favorite when I was younger, and it's still my favorite. I think it's one of the more unique games in the series, since no other offered quite the same mechanics when it came to stages and goals. It feels more... organic? It definitely has most of my favorite stages in the entire franchise. I also dig how immature it is, how dumb the missions can be, and how ridiculous guests and guest vehicles are. Plus, being one of the latter games in the PS2 era, it also means that you've a ton of different moves at your disposal.

4)

 I was a bit scared of the series, reading about the Judgment Ring made me wary... this wasn't something I was interested in playing. And then I got interested in playing Koudelka, so why not give the series a try? And I did. And I loved it. I'm not the biggest fan of the Judgment Ring, but it sure as hell isn't a detriment, and no, it doesn't get old when you are grinding for experience, it's just another mechanic you get used to. Still, what makes this my favorite Shadow Hearts game is its setting: No other Shadow Hearts game is as invested in horror themes as this one. Heck, some of the monsters are borrowed from Koudelka. If you can only play one game in the series, it's this one.

3)

 What's left to be said about Psychonauts? Tight gameplay, fantastic story and great sense of humor, there's rarely a dull moment in the game.... unless you didn't buy the Arrowhead detector in time, in which case... I'm so sorry. Small gripe aside, the other 95% of the game is amazing and it's not a game you want to skip.

Runner-up)

 I think Suikoden V was the Suikoden I was least looking forward to. The Prince, the main character, looked kinda silly so I wasn't to keen on playing the game. And then I did. And it was amazing. One of the best JRPGs I've ever played, with one of the most gripping storylines ever told in a JRPG dealing with all kinds of themes and treated in a mature way. Years of Suikoden games have led to this, and this might very well be the final Suikoden game... and I'm OK with that, because that means the series ended on a very, VERY high note.

Winner)

 Every time I play the game I like it more than I did before. Last Year? 'One of the best hack and slash games ever made!' This year? One of the best Playstation 2 games ever made, and one of my favorites. At this rate is gonna be my favorite game by 2020.



Best Playstation 3 Game of 2017:
 Sadly, the poor old PS3 got a bit neglected on the second half of the year. Maybe it will change in 2018. Most likely not, but maybe.

5)

 Resident Evil 6 is more than a sum of its parts. The setpiece-to-setpiece design is something that may turn off people, particularly fans of the older games, but it's something I got used to and learned to enjoy. The different campaigns was also hit-or-miss, since you'll likely not like every campaign the same and would rather have more of one and less of another one. Regardless, I think despite all the misguided design choices... it's a solid, if flawed, action game through and through.

4)

 CentralFiction brought back my love for the franchise. I think the slew of new characters, particularly if you didn't dabble on DLC or the Extend edition of Chronophantasma, as well as the new stages and what not invigorated the franchise. At this point I'd suggest skipping on the inane story and just focus on the game itself.

3)

 Year after year of making Spider-man games, Treyarch finally hit the sweetspot with their final game in the franchise: Web of Shadows. Not only does it have the best swinging Spider-man has had before and after, it also has the best combat system. Many people have nostalgia for Spider-man 2, but is has aged a lot, THIS is the Spider-man game fans want to play. And the best thing about it? Besides being a great Spider-man game, it's also a great game overall.

Runner-up)

 Games like this make you wish that Atlus would stop milking Persona so hard, with dancing spin-offs nobody asked for, and instead let the Persona team do original stuff, like Catherine. It's a weird game, in all the right ways. With a very engaging story, even if the ending(s) will turn a few people off from what seemed like a plausible plot.

Winner)

 I hope that Dead to Rights Retribution will be vindicated by history. That years from now people will pick up the game and, just as it happened to me, wonder why critics where so harsh to it. Because the game is anything but generic, there's never a dull moment when you are taking down bad guys as the vindictive duo of Jack Slate and his canine companion Shadow.



Best Game of 2017:
 This is it! Which one reigns supreme in 2017!?

4)

 It was a bit disappointing, personally, but it's still a great game, I mean, it IS Shin Megami Tensei after all.

3)

 The final game in the Dead to Rights franchise was also the best one. A reboot/reimagining of sorts of the first game, it feels as the evolution of the franchise, not stuck in the past, yet paying homage to it. Criminally underrated.

Runner-up)

 One of the best JRPGs on a console known for its great JRPGs. It also stands out from the rest, thanks to its unique mechanics: Six-man party members, the way weapons are upgraded, 108 total possible team mates, a story focusing on war and politics and not 'Saving the world from the one winged angel final boss!!!!!1111'. It's fantastic.

Winner)

 I think that the fact that I liked the game even more after replaying it a measly one year later says a lot about the game's quality. Usually, when you replay a game or rewatch a movie... as much as you love it, you'll probably enjoy a tiny bit less, especially if not much time has passed between your first experience. But with Devil May Cry 3, I only liked it more. The combat is so good, few games have matched the possibilities that the engine brings the player.